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Blowin’ in the wind

" how many times can a man turn
eyes and pretend not to see?
The answer, my friend, is blowing in the wind,
the answer is blowing in the wind. "

(translated version of the famous song by Bob Dylan)

We had the illusion that this year's Spring had arrived in advance, but then we thought the cold wind to remind us that, institutionally, we are still in the middle of winter.

You run for cover, therefore, carving out a good time to be spent al caldo in buona compagnia.

Ad esempio si gusta un buon cappuccino insieme a Tibisay – che è anche l’autrice delle foto – in uno dei caffè storici più belli e accoglienti di Trieste, il San Marco .

Il baschetto è il Beret di Bernat Design Studio , un cappellino semplicissimo che si fa veramente in poco tempo – io ci ho messo un pomeriggio appena, complice la pioggia – with any type of yarn and adaptable to any extent.

The little i-cord on top is not part of the original pattern, it is my homage to traditional French berets.

The sweater that I wear is my own version instead of the revised Sleveless Cardi of Emma Fassio that, compared my forms, has a physical as a true model.

The upper part faithfully reflects his pattern, complete with raglan shaped by jets that are a bit 'his trademark, while the sides I had to give up tails that I loved so much, having fun but to create a round on the back, with the help of short rows . Of course I could not do without three quarters of the sleeves, I like them too.

To conclude, another hat- uses scrap designed by one of my favorite designers, Steven West . This is the Skinny Skid slouchy version, a model characterized by a particular vortex pattern that perfectly illustrates the state of my thoughts at times when they are very upset and disappointed by the human race. A sort of notice to mariners, in fact.

I started this job in the company of my friend Sonia , also a fan of dear Steven, during a merry morning spent at the Casa del Popolo at the beautiful district of San Giacomo. I'm particularly proud of it, maybe it's not the model that gives me absolute, but was born under a lucky star and gives me much joy.

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COLLIERS "BIRD'S NEST"

Voglia di primavera....due collier pensati per salutare la bella stagione; la rondine è in ottone antichizzato, il nido realizzato con filo di rame colorato e perle di fiume, il rametto ha foglie e fiori in vetro.

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Here are two new necklace, made as a welcome to spring; the swallow is of burnished brass, the nest is made of woven copper wire and freshwater pearls, and both necklaces have a little blooming stem with glass leaves and flowers.

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La versione n°1 ha fiori in vetro stampato celeste/ the first necklace has light blue glass flowers :

is the version with yellow flowers in glass and polymer clay leaves / The second polymer clay necklace has glass leaves and yellow flowers.

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Here is a pendant made some time ago, the design is inspired by the Arts & Craft style, especially the jewels of Charles Robert Ashbee and Gaskin, and represents a stylized tree, made of silver wire and polymer clay, with the addition of freshwater pearls, beads and garnets. Currently it is not replicable,

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Some weeks ago I made this pendant, drawn from the Arts & Craft style, and Particularly inspired by jewelry by Ch.R. Ashbee and the Gaskins. It has the shape of a stylized tree, made of silver plated wire, polymer clay, freshwater pearls, and the red accent Microspheres of Some garnets.

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COLLIER IRIS GERMANY "

Here is a necklace from spring colors: the watermark Central, burnished brass, embellishing it with an iris in polymer clay and mounted with amethysts, pearls and agate drop in pale green.

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A brand new necklace, in spring colors: the focal piece is a burnished brass filigree embellished with polymer clay to iris, the pendant with amethyst beads and IS SET blades green agate beads and teardrop .

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PENDING" BOUQUET MIMOSA "

spring flowers for a bouquet pendant ... the vase is made of a cabochon glass, "caged" in polymer clay, they are made of flowers, too, and with the addition of crystals, swarovski, beads, glass pearl pendant.

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A spring bouquet made of polymer clay, a glass cabochon and Some crystals, Microspheres, and a glass bead.

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COLLIER" LA PLUME "

Liberty Still, the style I love most! The necklace has a pendant in polymer clay, elongated, and shows the playback of a always framed Art Nouveau design with polymer clay, modeled along the lines sinuous style, and with the addition of pink beads. To complete the installation I used freshwater pearls, agate, glass beads, lampwork, crystal violet and gold filigree baskets.

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Back to Art Nouveau style! Here's a new necklace, made with a polymer clay pendant, featuring an Art Nouveau picture and framed with pink Microspheres and a hand modeled clay polymer frame. The pendant with freshwater pearls IS SET, faceted crystals, lampwork glass beads, agate beads and gilded filigree findings.

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PARURE" BELLE EPOQUE "

Here at last was some anticipation of new jobs for the spring, this is a parure of necklace and earrings, taste clearly retro: The necklace has a pendant in filirana antique copper, decorated with women's accessories End '8 oo in polymer clay, metal and lace.

Chain always copper pearl and resin pendant.

The earrings use two watermarks conical, beaded lace and again to evoke the classic umbrella-century: a drop in the glass full effect "rain."

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At last, I can show you something new ... this is a set with a vintage taste, consisting of a necklace and matching earrings, and evoking a fin de siècle concept of female beauty; the focal piece of the necklace is a copper filigree, embellished with a fan, an ankle boot and other little things suggesting a belle époque atmosphere. I've used polymer clay, lace, metallic charms, and a resin drop pearl.

Earrings feature the shape of little umbrellas,, and they're made with conic copper filigrees, lace and seed beads; a dangling glass teardrop completes the setting.

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VIDEO PRODUCTION 12/02/2011

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Working for Lilly.

Sometimes I like to try my hand in the creation of small objects, especially if, in addition to the fun in them, imparo procedure e tecniche nuove.

E’ il caso dell’ iPhone Purse , una custodia per l’omonimo telefono ideato da una simpaticissima giapponese trapiantata a Londra.

Questo simpatico accessorio si lavora in un pezzo unico, avviando le maglie secondo il metodo del magic cast on che normalmente viene usato per the implementation of the toe-up socks .

For this reason the accessory does not require any special finishing touch and lends itself to a thousand customizations, starting from the yarn up the decorations.

As a gift for my Lilly, I decided to choose the color that oil is among his favorites, also using the yellow - in contrast - to highlight the inside of the case and especially the lovely little pocket door caps.

In addition I wanted to experiment with small decorative chain stitch, also enjoyed a brief continue consultations on the rest of the work. The effect is discreet and comfortable, just like I wanted it.

Also for Lilly this time I tested its Winter Queen. It is very easy to make a neck with braided edges and a central band to develop rice, to embellish with buttons specific, depending on the chosen yarn and your tastes.

for my version, worn by Tibisay , I used a very soft yarn color Wisteria, inserting pearl flower-shaped buttons. Warm but with an almost spring.

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Prossimo appuntamento Stitch’n Spritz

Non si fa in tempo a riporre gli strumenti del mestiere sfoggiati nel corso dell’ultimo incontro che è già ora di pensare al nostro nuovo meeting. Dopo un paio di sopralluoghi, riflessioni e considerazioni varie, io e la Tibisay abbiamo deliberato.

Il prossimo Stitch’n Spritz si terrà domenica 27 Febbraio dalle 16,00 alle 19,00 con una piccola novità, il cambio di sede. Vi aspettiamo quindi al Bar Libreria Knulp , in via Via della Madonna del Mare, 7 a Trieste.

Per qualsiasi informazione…noi siamo qui!